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ARRI - AMIRA Advanced

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  • https://www.photocineshop.com/library/ARRI - AMIRA Advanced

ARRI introduces the new AMIRA camera, a versatile documentary-style camera that combines image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and shoulder-mounted operation.

Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200fps slow motion.

It is suitable for a great variety of production types, from reportage and corporate films to TV drama and short movies.

LICENSE OPTION: AMIRA ADVANCED

Features additional to the economical AMIRA set: 100-200 fps; ProRes 422 (HQ) recording; Log C; unlimited look functions; import looks; ASC CDL in-camera grading; dynamic auto-tracking white balance; WiFi remote control; Bluetooth audio monitoring; pre-record function.

UPDATE: A new software upgrade for the AMIRA, which will allow it to record ProRes Ultra HD files (at a resolution of 3840×2160) is expected to be available for purchase at the online ARRI License Shop by the end of 2014.

AMIRA Technical Data

  • Sensor type
    35 format ARRI ALEV III CMOS
  • Sensor pixel count
    2880 x 1620 (16:9), 3168 x 1782 for monitoring with surround area
  • Lens mounts
    PL mount with Hirose connector and LDS, B4 mount with Hirose connector, EF mount
  • Shutter
    Electronic shutter, 5.0° to 356.0°
  • Exposure index
    EI 800 base sensitivity
  • Exposure latitude
    14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
  • Sound level
    < 20 dB(A)
  • Weight
    approx. 4.2 kg / 9.2 lbs
  • Viewfinder
    AMIRA Multi Viewfinder MVF-1 (OLED and LCD)
  • Outputs
    HD video with embedded audio and metadata
  • Recording media
    CFast 2.0
  • Recording format
    HD 1920 x 1080
    ProRes Ultra HD 3840x2160 (availability: end of 2014)
  • Recording frame rates
    0.75 - 200 fps
  • Recording codecs
    ProRes
    422 (HQ)
    422
    422 (LT)
    422 (Proxy)
  • Rec 709 / Log C
    Rec 709 and Log C
  • Looks
    Complete look functions;
    import looks
  • Adjustable image parameters
    Knee, gamma, saturation, black gamma, saturation by hue, ASC CDL parameter (slope, offset, power, saturation)
  • Import of custom 3D LUTs
    No
  • Focus and exposure control
    Peaking, zebra, false color
  • White balance
    Auto WB, dynamic auto tracking WB*
  • WiFi camera remote control
    Yes
  • Audio monitoring
    Headphone output (mini jack),
    Bluetooth audio monitoring
  • Pre record function
    yes

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