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Canon - EOS C300 Mark II (EF Mount)

  • - EOS C300 Mark II (EF Mount)
  • - EOS C300 Mark II (EF Mount)
  • - EOS C300 Mark II (EF Mount)
  • - EOS C300 Mark II (EF Mount)

The EOS C300 Mark II – Stunning 4K quality, creativity and versatility

Canon presents the EOS C300 Mark II, a 4K video camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail. Building on the unprecedented success of the acclaimed EOS C300, the more rugged EOS C300 Mark II features an advanced imaging engine with dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.

Supreme 4K image quality and versatility

With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD, with up to 15 stops of dynamic range, the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The camera offers professional filmmakers and broadcasters alike the very best image quality, recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.

The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™ media, while simultaneously recording 4K RAW files to an external recorder, offering the flexibility and universal appeal for production at the highest quality available today. Additionally, the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process.

The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality.

To meet the requirements of a diverse range of shooting applications, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as automatic modes. These include, enhanced Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally), auto white balance and Face Detection AF, all making it easier for independent news gatherers and documentary filmmakers to shoot on the go.

Instant integration into professional workflows

Canon’s new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality. The range features XF-AVC intra for 4K, and XF-AVC Long GOP and Proxy options for 2K/Full HD recording, both of which utilise H.264 codec, offering post production flexibility and ease of use. Filmmakers can select the resolution and codec type that best suits their production, with the EOS C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD.

The EOS C300 Mark II offers support for a wide range of colour space options, including BT.2020, the Canon Cinema Gamut and DCI-P3. The camera is also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly wider than previous Cinema EOS cameras. The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16 or 24 bit and 48 kHz.

Designed for versatility

The EOS C300 Mark II boasts the iconic Cinema EOS design DNA – a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories. Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode. Compatibility with the RC-V100 remote control and optional Wi-Fi control also enables ease of use in a wider range of locations.

The camera’s sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences.

Leveraging Canon’s rich heritage in lens design, the EOS C300 Mark II is compatible with more than 90 current EF and EF Cinema lenses allowing operators to use their existing EF mount lenses. In addition, the EOS C300 Mark II comes equipped with Canon Cine servo zoom lens support, delivering one of the most comprehensive selections of lens possibilities for movie and broadcast production available in the market today. For further flexibility, shooters can opt to change the lens mount from the default EF Mount, to EF Mount with Cinema Lock, or to the industry standard PL mount, as a service option.

EOS C300 Mark II key benefits:

- High bitrate internal 4K recording with external RAW
- High dynamic range files, ideal for post production
- Seamlessly integrate with professional workflows
- Automatic features make independent shooting easy
- Shoot with confidence in low light with low noise

This product is also available for rental at PhotoCineRent

Image sensor

  • Type
    CMOS sensor (single-panel) equivalent to Super 35 mm
  • Total pixels
    Approx. 9.84 megapixels (4206 x2340)
  • Effective pixels
    Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution
    Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution

Camera features

  • Lens mount
    Canon EF mount
    [EF lens group supported (including EF-S lenses), EF cinema lens group supported]
  • Iris control
    1/2-stop, 1/3-stop or fine setting selected
    -Push auto iris control
    -Auto iris control (Available only with some EF lenses)
  • White Balance
    Kelvin setting (setting range: 2000K to 15000K), daylight, tungsten, settings (A/B)
  • Video Compression Formats
    MPEG-4 AVC / H.264
  • Gain
    Normal [*-6dB - -2dB - 42dB - *54db]
    Fine: Setting in 0.5d8 step increments possible
    * When the sensitivity is expanded


  • ND Filters
    5 réglages de densité (2,4,6,8 (*), 10 (*) arrêtés) [(*) lorsque l'extension est sélectionnée]
    Entraînement motorisé

Exposure control

  • Exposure Modes
    (1) Manual exposure based on shutter setting, iris setting, ISO/gain setting, and ND filter setting
    (2) Push auto iris control, auto iris control (Light metering system selection, shift possible)
  • Shutter type
    Speed, Angle, Clear Scan, Slow, or Off mode selected
    Either 1/3 or 1/4 steps selected as speed increment
  • ISO sensitivity
    1 step, 1/3 step settings
    [*100 - 160 - 25600 -*102400
    *When the sensitivity is expanded

Focus control

  • Type
    DAF (Dual Pixel CMOS AF) supported
    Manual focus, one-shot AF, continuous AF, AF-Boosted MF (*), face detection AF (Only lenses that support AF functions can be used in any of these modes.)
    *See Technical Description.


  • Audio Record Mode
    Linear PCM (16bit/24bit- 48 kHz - 4ch)


  • Recording Media
    CFast Card
    Movie recording, custom picture settings, metadata 2-slot

    SD Card
    Recording of movies and photos (JPEG), custom pictures, metadata, menus and other data possible


  • Battery & chargers
    14.4V DC (battery pack), 16.7 V DC (DC-IN)


  • Timecode
    Drop frame(*) or non-drop frame

    Operation Mode
    Rec run, free run, regeneration
    Only in the 59.94 Hz mode

    Zoom Remote Controller
    Canon RC-V100

Viewfinder & LCD monitor

  • VF type
    0,46 (1,18 cm sur la diagonale), écran couleur EL organique avec un rapport de format d’écran large 16: 9
    Env. 1,17 million de points (1024 x RVB x 576), rapport de champ de vision de 100%
  • LCD monitor type
    4 (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio
    Approx. 1.23 million dots (854 x RGB x 480), 100% field of view coverage

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